A chat with…
Robert Daws, star of the hilarious Ten Times Table
The star of The Royal, Roger Roger and Outside Edge tells us about returning to the stage in Alan Ayckbourn’s committee comedy
Ten Times Table.
“I love going to Windsor because my children love going there too. It’s their favourite theatre. “
“As we were rehearsing it, we were all turning to each other and saying “My goodness me, it’s just like Brexit!””
“You get the feeling in a lot of regional theatres that the audience really wants to be there, and they love and appreciate their theatre.”
Hi Robert. What’s Ten Times Table about?
It’s basically about how a group of ten people sitting on the committee, with all the best intentions in the world, manage to completely cock it all up. Anyone who’s ever sat on a committee will recognise the people in this play. Everyone’s there. You’ve got the pedantic secretary. You’ve got the half-drunken committee member with marriage problems. My wife is on the committee with me and we are diametrically opposed in what we both think is the best way to go. It’s all there. Ayckbourn has a brilliant ear and eye for this sort of thing.
How are you finding your character, Ray?
He’s great. He’s very organised and full of enthusiasm. He’s a sweet-hearted man who’s passionate about his town. Unfortunately, although he is made chairman, he’s fairly useless and quite easily dominated. He is the worst possible chairman you could have. He just tries to listen to everyone and by trying to make sure everyone is happy, he falls down and struggles to keep control.
Ayckbourn premiered the play back in 1977. How has it stood the test of time?
Although it’s over 40 years old, it’s strangely topical in these difficult political times. As we were rehearsing it, we were all turning to each other and saying “My goodness me, it’s just like Brexit!” I think you can see how human nature doesn’t really change. Whether it’s on a committee or on an international scale, the weaknesses and faults of human beings still come through.
The credit for that longevity must go to playwright Alan Ayckbourn. What do you think makes him such a special writer?
I’ve been an actor for 42 years now, but I’ve only ever done two Ayckbourn plays before. I’m coming late to Alan Ayckbourn as an actor, but I just love him as a writer. He has this extraordinary ability, which all great playwrights have, to put a mirror up to life. People watching his plays get an awful lot of enjoyment by recognising people around them. Strangely enough, not a lot of people recognise themselves!
You’re performing Ten Times Table around the UK. What’s the appeal of touring?
I love touring. When I do theatre, I like to tour because every week is a first night. Every week you’re turning up somewhere else at another theatre in another town. I find that really exciting. I also find that audiences, when you’re on tour, are terrific. You get the feeling in a lot of regional theatres that the audience really wants to be there, and they love and appreciate their theatre.
When you talk about audiences appreciating theatre, what do you think makes a trip to see a show so special for them?
I think what brings people to the theatre is the simple fact that it is live and it’s thrilling to have actors and set and a story unfolding in front of you. It is a unique experience and very different to anything else you come across other than maybe sport. Lots of people go to a football match for the thrill of being there when the goal is scored. I firmly believe that when you’re in the theatre, when that big laugh comes and you’ve got 1000 people laughing their heads off together at that moment, that’s theatre’s goal. It’s thrilling.
How are you feeling about performing in Windsor?
I love going to Windsor because my children love going there too. It’s their favourite theatre. They’ve been visiting it since they were very young. They always got incredibly excited that the Queen was just across the road. For years they used to ask, “Daddy, is the Queen coming to see you this evening?” When they were very young I used to say, “She might pop in. She has a special box.” So I have fond memories of Windsor.
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